Mastering In GarageBand
The final stage of any recording project is Mastering. This video tutorial will go into some basics behind mastering audio and the options available in GarageBand.
Recording And Mixing An Acoustic Guitar
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Pro Studio Live and Signature Sound Studio bring you some of the most talented audio engineers to showcase their recording, mixing, mastering and production tips and techniques to the home studio and professional community.
Elysia Alpha Compressor Demonstration For Mixing
The elysia Alpha Compressor proves to fatten your mixes in parallel compression, individual track, or Mastering compression.Learn to Mix:
Work with Alex:
Alex Solano has over 15 years of audio engineering and training experience and is a leading product expert. As the founder of Pulsating Waves, Alex helps artists and producers achieve their goals to publish commercial records. Specialties include:
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[Teaching] Mixing & Mastering By ‘J.Y.Park’
Mixing & Mastering by “J.Y.Park” wtih
Manny Marroquin & Dave Kutch
Mastering Narrations And Mixing Sound, Adobe Premiere Elements
This video shows how to snazzy up your movies by creating narration tracks and mixing or dubbing different audio tracks of background or fill-in music. Shown are tips and techniques using tools built into Adobe Premiere Elements such as the Narration tool, the Audio Mixer, and Keyframe editing. Also show is Audacity, a separate yet free audio editing tool so you can get professional audio.
FL Studio 10 – Mixing And Mastering Tutorial (by Pablo Prod)
Due to all the Requests I’m getting on a daily basis heres the Mix & Master Tutorial you’ve all been asking for.
I show you in Detail which steps I take in order to get a clean & still loud sounding Mix.
If you have questions about the plugins used/How I do my melodies etc just ask them in the comment section & I’ll reply.
Mixing & Mastering Tutorial.
Step 1. Name your instruments properly, makes it much easier to navigate through your instruments & gives you a much better Workflow.
Step 2. Assign your instruments to a free mixer channel, group instruments of the same category (e.g. Snares+claps/HighHats+Cymbals etc.)
Step 3. Sound selection: keep in mind you are limited to a range of 20hz to 20 khz so there is not to much space.
Limit each Instruments range with the parametric EQ so there are only the Keytone & the overtones left, anything
below that has no real impact on the sound & will only fill up the bottom and weaken your Bass.
Step 4. When Editing your instrument in the mixer keep in mind that it doesnt matter if it sounds thin & powerless by itself,it has to fit in your mix
Step 5. Ensure your instruments keep their dynamic range, no compression on any of your instruments other then Drums & percussions and
your master channel.
Step 6. In order to have a wide & vivid mix pan your instruments, if you use a Stereoizer only use it for instruments with little low end.
Step 7. Adjust the level of each instrument, everything should be audible but not striking, try getting a 2nd opinion.
Always leave some headroom, even when all your instruments play there shouldn’t be any clipping on your master channel.
Step 8.When using a Bassline in addition to your kick use a Kick with a fast attack & short decay, if you don’t find a suitable kick adjust the decay
with a Noise Gate (Preset in the standart FL Limiter)
Step 1. If theres still clipping even though you adjusted your levels according to Step 7 open the FL Limiter & reduce the Gain until theres no more clipping
Step 2. Open the parametric EQ und adjust your High & low cuts, standard is 40Hz/20Khz but if you have a very low bassline like in this example go with 20hz/20Khz
Step 3. Open a 2nd Parametric EQ & lower unwanted Frequncies. DON’T I repeat DON’T boost frequencies on your master channel as you will reach the clipping limit very easily, the changes you make here should be minimal as you should do most of your EQing on the individual channels.
Step 4. Open a compression tool, ideally a multiband one, I used Izotope Ozone 4.
Set the Margin to -0.3dB/Adjust your threshold (the amount of compression should depend on the kind of track you’re making & your personal preference.)
Step 5. If you feel your track still sounds a little empty & inanimate you can use an exciter, the exciter will add Harmonic overtones & thus fill gaps in your freq range.
Step 6. In addition I sometimes add some slight reverb on my master channel, its not necessary but it can make your track sound a little more fluid, if you do that set your decay very low (No more than 0.7sec) & limit the reverb to a narrow freq range (e.g. 300hz-3khz)
Step 7. Stop spamming my inbox asking me to do a mixing tutorial 😉
Copyright Pablo Productions 2012
Mixing And Mastering Metal With Free VoS Effects (HD)
Mixing and mastering a simple metal song using Variety of Sound’s great free vst effects.
Cockos Reaper used for recording. Drum track recorded using Toontrack EZdrummer. Bass track recorded using normal guitar and Cockos ReaPitch effect. Guitar tracked using Amplitube’s Soldano SLO100 plugin.
Variety of Sound’s free effects can be downloaded here:
How To Make A Trap Beat In FL Studio 10 Tutorial + Mixing & Mastering
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You will receive a .MP3 version of the instrumental you’ve purchased. Tags included in the Intro (2), Hook (1), Verse (1), & Outro (1). The instrumental can be used for medias such as, but not limited to mixtape(s) and/or album(s). Any displayed, or downloadable audio files must include “” within the song title. I still own the instrumental, and I may re-sell it to others.
You will receive a .WAV version of the instrumental you’ve purchased along with trackouts (each sound/instrument individually). Tags included in the Intro (2). The instrumental can be used for medias such as, but not not limited to mixtape(s) and/or album(s). Any displayed, or downloadable audio files must include “” within the song title. You will own, and be given all rights to the instrumental. It will be marked as sold, and no longer available for purchase. It is possible that the instrumental you’ve purchased have been leased before it was bought exclusively. Buying the instrumental exclusively does not terminate the use of the instrumental to those who have purchased leasing rights before it was purchased exclusively.
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